Fuzz Ghost - Fuzz Ghost EP

Griffin Washburn's project Fuzz Ghost accompanied by Mills Brown, Eli Perron and Luke Fedorko released a few days ago their eponymous debut EP. Based in Nashville, mostly known for country bands, these guys are proving a new wave is coming to the city, and this is not because Third Man Records has influenced them, nothing further away from reality.

The voice with an empty energy which starts 'Sandy Burn' is replaced quickly for a surf and garage ballad,  sounding as a slow motion version of Fidlar. Lo-fi instrumentation makes way to the heartbreaking lo-fi vocals on 'Lost Mind', which also is looking at the sky to sound harder than it has, thanks to the southern surf rock with a garage touch that they perform.

Mieke - Mieke EP

Elissa Mieke debut EP is a rethinking exercise of a lot of moments of her life, being raw to share this with all of us, as GEoRGiA did with her debut LP last week, but sounding with the sweetness of BANKS above the piano and the choir as the waxy flowers of a 'Magnolia'. It may notice she feels insecure, wanting to scream and find herself... all of them due to her bad situations with producers and major labels where creativity was absent, losing her authenticity, so she appealed to Don Kerr and Howie Beck (Feist) to record these songs.

Her discomfort leaves aside the precedent R&B to hug a comercial pop whose lyrics correspond to the love when it disappears and everything she wants to do is 'Move On', because her love was a 'Vulture' who profited her youth, hard times coated with her first R&B including a violin and keyboard to stand out all the fucking shit what involved her.

Alessia Cara - Four Pink Walls EP

Alessia has decided to write her last name next to her first name and it comes with the release of her debut EP "Four Pink Walls", via Def Jam Recordings. 18 years old an she has the things completely clear on her head. If you don't believe me take a look 'Here', where hi-hop and the bass accentuate her anger at the passivity of some drugged guys pass from her by not keep the roll, which is a public manifiesto against it is considered cool.

'Seventeen' sounds like the Chvrches electro-pop while she looks back on her life, regarding her fears and her dreams, and always with a big smile even in these bad moments when she uses a filter for her voice, as Låpsley does in her songs.